We have taken our pioneering dual functionality a
leap further with new capability for multi-output and
personal monitor mixing. 10 Auxes, including a
dedicated stereo aux for creating stereo recording or
monitor feeds. As a monitor console, you get up to
14 mixes such as 8 wedges and 3 stereo IEM,
complete with dedicated engineer’s monitor control
using the M fader. With up to 48 input channels you
can handle any festival or gig at FOH or on stage
with no controls redundant in any mode. Aux 9-10
has dedicated level and pan control complete with
mute and stereo monitoring. You can create an LCR
mix from the LR and M buses, and add 6 stereo line
sources using the full feature stereo channels and 2
extra short fader dual stereo returns in the master
section. Our new 74dB range mic preamp can
handle the widest range of signals you are ever
likely to encounter. Responsive 4 band EQ, 100Hz
channel high pass filters, Individual phantom power
and polarity switching. 8 Audio groups. A 12x4
Matrix provides a quick way to create studio quality
IEM mixes with ambience and ‘more me’ control.
You even get matrix talkback and mono or stereo
monitoring. Electronically balanced XLR outputs with
+26dBu drive capability. Built-in combiner for
redundant backup PSU. Metal jacks, gold-plated
XLRs, sealed pots and switches. Individual circuit
card assembly with nutted pots. Solid copper bus bar
grounding. Sys-Link V2 console linking option. Built-
in oscillator / pink noise generator with patchable
output, extensive metering and much more...
Features
|
We have taken our pioneering dual functionality a | handle the widest range of signals you are ever |
leap further with new capability for multi-output and | likely to encounter. Responsive 4 band EQ, 100Hz |
personal monitor mixing. 10 Auxes, including a | channel high pass filters, Individual phantom power |
dedicated stereo aux for creating stereo recording or | and polarity switching. 8 Audio groups. A 12x4 |
monitor feeds. As a monitor console, you get up to | Matrix provides a quick way to create studio quality |
14 mixes such as 8 wedges and 3 stereo IEM, | IEM mixes with ambience and ‘more me’ control. |
complete with dedicated engineer’s monitor control | You even get matrix talkback and mono or stereo |
using the M fader. With up to 48 input channels you | monitoring. Electronically balanced XLR outputs with |
can handle any festival or gig at FOH or on stage | +26dBu drive capability. Built-in combiner for |
with no controls redundant in any mode. Aux 9-10 | redundant backup PSU. Metal jacks, gold-plated |
has dedicated level and pan control complete with | XLRs, sealed pots and switches. Individual circuit |
mute and stereo monitoring. You can create an LCR | card assembly with nutted pots. Solid copper bus bar |
mix from the LR and M buses, and add 6 stereo line | grounding. Sys-Link V2 console linking option. Built- |
sources using the full feature stereo channels and 2 | in oscillator / pink noise generator with patchable |
extra short fader dual stereo returns in the master | output, extensive metering and much more... |
section. Our new 74dB range mic preamp can | |
DetailsGL2800 is a compact, dual function, LR, M, 8 group, 10 aux, 12x4 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.
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