We have taken our pioneering dual functionality a
leap further with new capability for multi-output and
personal monitor mixing. 10 Auxes, including a
dedicated stereo aux for creating stereo recording or
monitor feeds. As a monitor console, you get up to
14 mixes such as 8 wedges and 3 stereo IEM,
complete with dedicated engineers monitor control
using the M fader. With up to 48 input channels you
can handle any festival or gig at FOH or on stage
with no controls redundant in any mode. Aux 9-10
has dedicated level and pan control complete with
mute and stereo monitoring. You can create an LCR
mix from the LR and M buses, and add 6 stereo line
sources using the full feature stereo channels and 2
extra short fader dual stereo returns in the master
section. Our new 74dB range mic preamp can
handle the widest range of signals you are ever
likely to encounter. Responsive 4 band EQ, 100Hz
channel high pass filters, Individual phantom power
and polarity switching. 8 Audio groups. A 12x4
Matrix provides a quick way to create studio quality
IEM mixes with ambience and more me control.
You even get matrix talkback and mono or stereo
monitoring. Electronically balanced XLR outputs with
+26dBu drive capability. Built-in combiner for
redundant backup PSU. Metal jacks, gold-plated
XLRs, sealed pots and switches. Individual circuit
card assembly with nutted pots. Solid copper bus bar
grounding. Sys-Link V2 console linking option. Built-
in oscillator / pink noise generator with patchable
output, extensive metering and much more...
Features
|
24, 32, 40 and 48 channel frames | Per channel pre/post fader aux switching for full flexibility |
LR and M main mixes | Recessed pre/post-EQ aux switching per channel |
8 Audio groups with pan and routing to LR and M | Internal jumper plugs for aux, direct out and other options |
10 Auxes including a dedicated stereo send | Mutes on all fader masters |
2 multifunction stereo channels each with mic and stereo line inputs | 100mm dust protected faders |
2 extra dual stereos provide 4 summed or independent stereo returns | Assignable talkback to all outputs, includes a talk switch latch mode |
Fully featured 12x4 Matrix | 1kHz oscillator / pink noise generator with patchable external output |
Proper dual functionality for FoH/Monitor mixing | 2-track monitoring and replay to LR |
Recording capable with channel direct outputs | 3 headphones/earpiece sockets and local monitor outputs |
M can be used for centre/sub mix, LR mono sum, or engineers wedge | Electronically balanced XLR outputs with +26dBu drive capability |
Matrix external inputs with level trims and common input capability | Preamp 74dB range with +34dBu input capability for mic or line |
Stereo channel mic inputs can cross patch into matrix for ambience feed | Ultra low noise mix head amp design |
Responsive 4 band, 2 sweep EQ | Uses RPS11 high performance external linear power supply |
100Hz channel high pass filters | Built-in combiner for redundant backup supply |
Individual phantom power and polarity switching | Individual circuit card assembly with nutted pots |
Wide angle channel and master meters | Sys-Link V2 console input/output linking option |
Dedicated stereo monitor meters | 4-pin XLR lamp sockets Allen & Heath LEDlamp available |
GL2800 is a compact, dual function, LR, M, 8 group, 10 aux, 12x4 matrix console. Frame sizes range from 24 to 48 channels including 2 stereo channels.